The New London Barn Playhouse produces vibrant theater created by emerging artists in collaboration with accomplished professionals within, and in order to preserve, one of the most cherished and historic summer stock theaters in the country.
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Carol Dunne
Artistic Director
cdunne@nlbarn.org

Carol Dunne just completed her second season as Artistic Director of the New London Barn Playhouse where she has directed The Producers, I Hate Hamlet and A Grand Night for Singing.   Her many years in the theater have taken her from New York to some of the country's finest regional theaters.  Currently, she is also a Lecturer in Theater on the faculty of Dartmouth College.  She continues to work as an actress and freelance director, most recently appearing in the Northern Stage (Vermont) productions of Cats (Grizabella), Private Lives (Amanda), Lend Me a Tenor (Diana with Tony Lawson), and Dancing at Lughnasa (Agnes.)    Other recent directing credits include Hair (Dartmouth  College(, Kiss Me Kate and Songs for a New World (Northern Ohio Live Nomination) at Cleveland's Cain Park Theater.  Prior to joining the Dartmouth faculty Carol was a company member of the Cleveland Play House, where she acted and directed for 10 years.  She also appeared in many shows at the Great Lakes Theater Festival.  Also during her time in  Cleveland, Carol served as Interim Director of Musical Theater at Baldwin-Wallace College.  Carol is a graduate of Princeton University and the University of Wisconsin-Milwaukee Professional Theater Training MFA program.  She resides in Etna, NH with husband Peter Hackett and children Ellie and Jamie.
Beth Perregaux
Business Manager
bperregaux@nlbarn.org

"Numbers are my thing."  Beth is a graduate of Colby Sawyer College and has been a resident of New London  for over 20 years.   Beth has been a supporter of the New London Barn for many years and joined the staff in 2006.  She also runs her own bookkeeping business and works with many local businesses.  In her free time Beth enjoys being outdoors hiking, skiing, snow shoeing and walking.  She is the proud mother of two sons, Timothy and Paul.
Don Boxwell
Director of Patron Services
dboxwell@nlbarn.org

Don has been associated with the Barn Playhouse since 1981.  Don has been a patron, subscriber, Children's Theater Coordinator and Director,  Co-House Manager, Box Office Treasurer, Acting Producer and Business Manager.    Before coming to New Hampshire, Don managed motion picture theatres in Denver, Colorado, Hermosa Beach, Santa Monica, South Pasadena, Pasadena, and Westwood in Southern California.  A graduate of the University of Denver, School of Theatre, Don now lives year round in New London and when not working at the Barn Playhouse or directing for a local community theatre, can be found at Tatewell Gallery, an art gallery and custom frame shop which he and Jack Tate own.
Wynne DeMille
Director of Volunteers
wdemille@nlbarn.org

A Registered Nurse by profession and theater buff by preference, Wynne has been involved in the operation of the Barn Playhouse for nearly four decades. As one of Norman Leger's "girls", Wynne has served in many different capacities over the years, from publicity to costuming to herding youthful performers, with special emphasis on archiving and marketing. As Founder and President of the Friends of the Barn Playhouse, Wynne led the 2006 effort to refurbish the 302 Art Deco chairs and other interior features of the Playhouse and each year manages major fundraising events for the Barn. Wynne looks forward to the opportunity to continue serving the Playhouse in 2009 as its Marketing Manager.
Lily King
Assistant Artistic Director
lking@nlbarn.org



Joel Mercier
Artistic Associate / Resident Music Director
jmercier@nlbarn.org



Mark Gostomski
Production Manager
mgostomski@nlbarn.org



Martha Bristol
House Manager / Usher Coordinator
mbristol@nlbarn.org



Josh Feder
Director of the Jr. Intern Program
jfeder@nlbarn.org
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Tom DeMille, President
New London, NH


Steve Ensign
New London, NH


Barbara Rosenfield
New London, NH


Sheryl Stotland
Norwich, VT


David Webster
New London, NH




Honorary Advisory Board

Charles Massey
Newport, NH
Don McGuinness
New London, NH


Dan Snyder
New London, NH


Linda Walsh
New London, NH
Carl Fitz
New London, NH


William Sloan
New London, NH


Judy Wallace
New London, NH


Michael Wood
New London, NH
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History of the New London Barn Playhouse
by Tom DeMille

The New London Barn Playhouse is the oldest, continuously operating Summer Stock theater in New Hampshire, a distinction which has gained it inclusion in the state's Register of Historic Places.
That winter she purchased the Everett Barn on Main Street. Built around 1820, it sat empty as the Town had long before absorbed most of the original farm for use as its hospital. Local carpenter Horace Stanley was hired to turn the hayloft into a balcony and add a box office window under the front stairs. Patrons sat on long wooden benches the evening of July 12, 1934 to see "Milestones", a drama of industrial conflict in England during the late 19th and early 20th centuries. Not exactly an evening of song, dance and laughter but a wonderful evening was had by all. Dr. H. Leslie Sawyer, President of Colby Junior College, was the Barn's first usher.

The advent of World War II brought significant change. Most Summer Stock theaters closed (many never to reopen) but the Barn Playhouse soldiered on with a slimmed down schedule. Mrs. Holmes sold the Playhouse in 1948 to N. Warren Weldon who downplayed experimental and classic plays in favor of "Old Chestnuts" like Life With Father and The Philadelphia Story. In typical Summer Stock fashion, each show would run for one week only with serious drama and mystery sprinkled among the many comedies.

In 1955, Norman Leger, a Nebraska native and graduate of the Neighborhood Playhouse in New York City, purchased a majority interest in the theater which he would guide for the next half century. The Playhouse that evolved under Norman had the feel of an old Judy Garland-Mickey Rooney movie. The dominant theme: "Hey kids, let's put on a show". He introduced musical comedy by producing Finian's Rainbow the last week of the 1956 season and little by little the emphasis switched from the "Old Chestnuts" to the primarily musical comedy format of today. The physical plant underwent great changes with the addition of front and back porches and improvements to seating, stage and production areas.

The mission of the Playhouse also evolved over time with Norman stressing the education of young artists interested in pursuing a career in theater. Today, a typical Playhouse Company consists of a small cadre of theater professionals together with more than a score of participants in our Intern Program. Each year Interns, primarily college students majoring in theater, are selected after a careful casting process to take part in what is nothing less than Broadway Boot Camp. For fourteen weeks these young people eat, sleep and breathe theater while living together in the former Nurse's Residence next to the Playhouse. They build sets, sew costumes, rehearse and perform, sometimes working on as many as four shows in various stages of production at the same time.

Many "Barnies" have gone on to great acclaim in the entertainment business. Sandy Dennis won two Tony Awards on Broadway and an Academy Award for Best Supporting Actress opposite Elizabeth Taylor and Richard Burton in Who's Afraid of Virginia Wolff". Steven Schwartz, famed composer of Godspell, Pippin, Wicked and much more served as the Playhouse's Musical Director in the 1960s. Emmy Award winner Phillip Rosenthal was the Creator and Chief Writer for Everybody Loves Raymond and multiple winner Tom Fontana created, wrote and produced the long running TV series St. Elsewhere. Choreographer and Director Casey Nicholaw   received three Tony Award nominations for his work on The Drowsy Chaperone and Spamalot. Judy Kuhn, also a three time Tony Award nominee, was the original Cosette in Les Miserables on Broadway. Taye Diggs starred on stage in Rent and in major roles in the movies Chicago and How Stella Got Her Groove Back. And there are hundreds of other Barnies active in theater today that owe their much of their success to the training received at the Playhouse.

Shortly before his death, Norman created a non profit corporation to carry on his work. The Board of Directors is committed to the Playhouse's mission of "producing vibrant theater created by emerging artists, in collaboration with accomplished professionals, within and in order to preserve one of the most cherished and historic summer stock theaters in the country".

Tom DeMille is Chair of the New London Barn Playhouse, Inc.
In the summer of 1933, Mrs. Josephine Etter Holmes, Chair of the Department of Speech at Mount Holyoke College, came to New London with four female students and, with the assistance of colleagues at Colby Junior College and male actors drawn from the community, established the New London Players of New Hampshire. A disciple of the Little Theater Movement then sweeping the country, Mrs. Holmes aimed "to establish…a theater group presenting dramas of stimulating artistic & literary merit" and began pursuit of this high minded goal on July 11th at a sold out Whipple Memorial Hall. Three one act plays were presented that night. Tickets were 50 cents; pillows a nickel. Props, costumes and ushers were provided by the local citizenry. According to the New London News the show "aroused great enthusiasm…and set a new gauge for dramatic art in the region".
2010 Seasonal Staff (TBA)
If you are interested in applying for a position or auditioning for us, please see our Employment & Auditions section on the Support Page.

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Resident Director - Hans Friedrichs
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New London Barn Playhouse, NH, theater, theatre, summer stock, New London, regional theater, professional theater
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New London Barn Playhouse, Inc. is an IRS recognized 501 (C)3 Non-Profit Corporation
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New London Barn Playhouse
PO Box 9 / 84 Main Street
New London, NH 03257
E:  info@nlbarn.org

P:  603-526-6570